Showing posts with label john fowles. Show all posts
Showing posts with label john fowles. Show all posts
Friday, December 9, 1983
Islands
I agree with the RCP's aims, if not always their methods, but this said, I need to find my own personal response to the questions they ask; I must suffer, and see all of these things; I have to do this before I could even consider joining. As an organisation, it seems to be composed of individuals who are seeking an answer to their own personal sense of alienation, lack of success, call it what you will, and who do so by immersing themselves in revolutionary brotherhood and sisterhood . . . They're all somewhat grey people who haven't managed to find happiness in the 'usual' forms and channels and have therefore opted into a new kind of society, made up of ideologues ("social misfits" as Del would call them).
It's almost as if they've chosen the Party because of what they lack, not for reasons of affirmation, intellectual clarity or boldness (as surely it should be). I put my name down yesterday as a gesture of support, to make up the required 15 members to allow the RCS to get Union funding.
"Everyone of us is an island. If it were not so we should go mad at once. Between these islands are ships, aeroplanes, telephones, wireless - what you will. But they remain islands. Islands that can sink or disappear for ever . . ."
"It is important not to betray the self," says John Fowles through one of his characters in The Magus. I feel like a commitment to the RCP would be just that: a self-betrayal. I must work it out, live it, and do it all for myself. And no one else can do this for me.
Late yesterday afternoon, Lee and Ian went back to plunder the cellars of the empty pub, bringing back another forty eight cans of Carling Black Label which they are going to give to the Combined Arts party at the Art College on Monday in exchange for £20.00. They called round at about teatime and Ian spent the evening playing about with Barry’s synth. We got quite drunk and by the time Barry and Trevor showed up we were slumped drowsily in my room listening to records, all the lights off save that from the electric fire. Although Ian was fairly drunk he didn’t seem any different to his usual, quiet self. I fell asleep on my floor at 5 a.m. leaving Ian and Barry talking about something or other, and when I woke up I was cold and uncomfortable and it was 9 a.m.: Lee and Ian were sleeping on my bed.
I went back to bed after they’d left & finally got up at six to find Lindsey and Stu in Pete’s room, Lindsey in particular hardly speaking, a brief glance at me from under her hair, but not a word. . . .
I feel pissed off, very low and somehow overcome by the effort of having to communicate and talk with people, knowing that I never can or will be able to adequately do so. Lee saved me from myself by showing up: we are holed up in my room being very unsociable and waiting until everyone leaves.
Tuesday, October 18, 1983
No way is noble
Days roll by and I’m at a loss as to whether or not I should chart them in all their mundane detail.
John and Del left this morning to again look for places and were at their lowest ebb yet. The housing situation in Watermouth is worse than ever and John in particular seemed very down.
Ade came back last night from his few days in Bournemouth with a “sore cock” (to use his own words); he and Del and John don’t get along particularly well and after D. and J. left this morning, Ade was still lounging on his mattress in Barry’s room. Someone suggested that the three of them should share an £85 per week house advertised in the Herald, but this met with a poor response from him. I don’t see that he really has the right to refuse at this moment in time.
A feature in today’s Union News claimed that the compulsory year in the States has been scrapped for this year’s 1st year American Studies intake. The Union is fighting it all the way, but it’s obvious that if it’s not scrapped this year, then it will be next year. I’ve got in just in time.
Since last Wednesday at Masquerades, I’ve felt very satisfied with my prospects. It’s quite amazing how cold the Art History idea has become with me, and I think it’s just as well because it would be too late to change now anyway. Guy’s enthusiasm rubbed off on me I think.
Last night Barry, Guy, Lindsey and I went to the opening night of a new club, Roxy’s, held at the L.A., a well-known gay disco. I walked all the way to Shelley’s on Queen’s Road on the seafront but she was out so I trudged all the way back and found the others already there.
Roxy’s was free to get in before eleven; I was ushered in to an elaborate glittering foyer, complete with fountain, and found myself surrounded by a couple of characters who looked as they’d auditioned for a part in The Adams Family. Roxy's was quite impressive inside, with two bars, split level seating and spectacular lighting for the dance floor. It was crawling with the trendy post-punk crowd, crowns of dyed, spiky hair jostling for the attention, black, black everywhere.
I was in black too.
Across from us two seedy and forlorn looking men in tacky suits were deep in animated, intimate conversation. Someone called Guy a hippy, which annoyed him, and after this he was full of contempt for the place and the people. They are just a bunch of very conventional extroverts. “Experimental is conventional, conventional is experimental. And no way is noble.”
This applies to the Sanctuary and Roxy’s gang who’ve substituted the predictable uniformity of a more sophisticated kind for the Farahs and wedge-cut anonymity of the Saturday-nite soul-boy crowd. And the sickening thing is they all believe they’re being so different. “Art is not dictated by what coat you wear.”
I would do well to listen to this and practise what I preach.
The girls who lived at Jervis Terrace over the summer made an appearance, and Miles Beattie raced between us and the dance floor while Barry and one of the girls fell into a long conversation. Barry's band dominates conversation at the moment, and it gets a little tedious listening to their prophecies. Ade was saying when we got back that he “cannot wait” to get up on the stage, and I can see both he and Barry really getting into it.
I’m in the throes of starting several books, among them Colin Wilson’s The New Existentialism and The Magus. I also want to read some more Nietzsche, and the chapter on N. in Lukacs The Destruction of Reason. All this and course work too? Probably not.
Wednesday, October 12, 1983
The revolution will not give your mouth sex appeal
Last night John Turney cornered me in my room as I was trying to read The Magus. I saw his eyes flit across my desk towards this journal, lying unconcealed. “What’s in that book?,” he asked me bluntly, as if he meant to put me on the spot. He said he’d been in and read it the other day, and teased me (“you’ll never get off with her”), before trying to pass it off as a joke.
I was left feeling very unsure. For better or for worse all my weaknesses and emotional excesses are exorcised on these pages. This is how I am.
But amazingly, it seems that he'd come into my room for advice, or rather to clear his mind by talking to someone, which he then did for several hours, a long monologue about his friend Martin who he’s fallen out with over the latter’s “sinister” attempts to undermine John in other peoples’ eyes—they had a disastrous holiday together in Greece and things came to a head in Holland where they stayed for six weeks—all the usual intrigue, romance, ‘eternal triangles’ etc., etc. John says he’s writing a play in order to purge himself of all his vindictiveness and anger.
He criticised the RCP too; he characterised its leading lights (people such as Pat Roberts and Carl Cotton) as “narrow,” perhaps even dull people, even though they're well suited to the RCP’s current party-building needs.
He described a quality in Carl that I’ve noticed before too, namely the way he never divorces himself from Party business. He comes across as someone who (in John’s words) “brings their office work home with them”; he’s cold and aloof around we students, alienating everyone with his impossible-to-escape RCP opinions. He judges on the basis of political commitment or the potential for such. Trevor said he’s praised Lindsey as the only person at Watermouth prepared to get herself involved in the mundane necessities of building a revolutionary Party.
I must rank with the worms in his eyes. I’m sure he finds the world of students thoroughly contemptible, but mockery, sarcasm, condescension and belittling people isn’t the way to win support. Friendly conversation is.
John sees himself as unsuited to this era of RCP history and firmly believes that the people involved now who are creating the “vanguard” who will become Party “heroes” when the Revolution eventually does triumph, as he’s certain it will. I’m sure if that day comes, there’ll be a lot of people who, having shunned the drudgery of six a.m. paper sales, will happily take up their unquestioning places behind the barricades. Stu is one of those people, and if The Revolution erupts in my lifetime, I know which side I’ll be on—and it won’t be that of the Government or the Police. Meanwhile, I don’t want to forsake the idle pleasures of capitalism just yet while they still have something to offer. Why can we still find refuge in capitalism? I wonder what Carl’s answer to this would be?
I don’t like the RCP. Secrecy, utter commitment and a quasi-military organisation might be necessary at this time, but will that tendency be reversible when the RCP becomes a mass party with nationwide support? Will this country’s much vaunted ‘democratic tradition’ come to the rescue and stop the British revolution going the way of the Russian? I often wonder if one day, the Carl Cotton’s of this world will have people such as I put up against a wall and shot.
I got a letter from Claire this morning. “Can you ever smell perfume on my letters?” she asks, which makes me wonder. . . I spent most of the day in an ill-temper. I tried to hitch in to campus but stood for ages with no luck, until finally a car put its indicator on as if to stop. I thought my patience had been rewarded, but the bastard drove off laughing. I gave up and stalked home moodily.
Friday, August 19, 1983
The world stands complete
Robert and Carol called round this morning on their way for a week at Conishead Priory. Robert was looking forward to it a lot, but Carol seemed subdued; she's just had two teeth pulled at the hospital and is suffering with a swollen face.
They were soon off leaving me to an afternoon of idleness. Mum went to the hairdressers and Dad went on one of his much-grumbled-about trips to see Nanna B. The weather was hot and sunny once more.
At four I got a call from Grant . . . I held my breath . . . a fail in Economic and Social History, a fail too in Communications Studies, but a ‘B’ for English Lit. He couldn’t believe it and was ringing me in an inebriated glow of enthusiasm after going out for celebratory drinks with RJ and Jackie. “I haven’t felt this good in a long time,” he told me, and really did sound full of excitement and just general happiness.
I couldn’t help the cynical thought that flashed through my head: it’ll be no different for him when he goes to Gloucester. It wasn’t—and isn’t—for me. I can’t help thinking that, like me, he’s one of those people who cart the source of their own misery around with them, like a prisoner his chains. But, time for celebration; more than anything he’s relieved to finally have an escape route from the trap of his domestic situation. “What have you been doing?” he asks, and I truthfully answer “nothing.”
I got a second letter from Susie and felt ashamed at her comment on my comments about boredom in my previous letter. Seeing it written in black and white puts my own situation in sobering perspective. Fool!
Twelve days until September.
I read some war poetry by Sassoon and Graves, etc. I felt yet more shame that I can so blithely talk of ‘misery’ and ‘suffering’ when I know nothing of true anguish. In a perverse way I would be curious to see how war would alter me as a person, but thrown into the cauldron, I'd no doubt be mewing pathetically for “mummy” and “home.” It was bad enough for me enduring the first few days at University, so God knows what new depths of self-pity I’d plumb if I was in a war.
I was really affected by Sassoon.
I thought of age, and loneliness, and change,I find it incredible to think that anyone can write a poem like “Before Action” by W. N. Hodgson, incredible that anyone can marshal and rationalise their thoughts so clearly in the face of so immediate and awful a death. He asks for strength to be able to bear the prospect of losing all earth’s “delights and glories” and does so in such a calm manner; surely there must’ve been tears and despair at the thought of becoming yet another member of “the unheroic Dead who fed the guns”?
I thought how strange we grow when we’re alone
And how unlike the selves that meet and talk,
And blow the candles out and say good night.
Alone . . . The word is life endured and known.
I suppose that we ‘rise to the occasion’ in such circumstances. . . .
In the evening I watched a screen adaptation of The Magus, a book I’d intended reading over summer (but left my copy in Watermouth). It left me itching to read the book and I got an inkling of how big an impression the book had made on Patrick and why he felt as though he’d been ‘dunked in a bath of cold water.’ If the novel is anywhere near as thought-provoking as the film then it must be excellent. I must read it.
Patrick read it and drew parallels with his own situation, and then he acted. He quit the RCP. It was a big step when you consider his utter involvement with them. I remember how he struggled to convey his shattered complacency to us when we did LSD, and I could see it too, in a way, but gripped as I was by my LSD-self-consciousness and natural awkwardness, I couldn’t span the gulf which separated us. I couldn’t tell him that I understood too.
Out of the film’s symbolism, allusion, analogy and pantomime I drew out the ‘message’ that there's no message. Exploration brings you back to where you started and it’s all about looking at what there is to hand in a different way. The things around us are all there is, there’s nothing more, no ancient gods to be petitioned (gods who never replied anyway). No Yahweh, no Allah, no Horus or Isis or Zeus, just frightened people filling the Void with their reassuring figments to block out the emptiness and push it from the mind. There is no other way. These lives are all we have.
And when Mum says she spent a lifetime always planning for tomorrow and now that tomorrow is here, she feels desperately uncertain, unsure, and cheated somehow, I begin to understand why the world immerses itself in the commonplace and the known: “I have suddenly awoken in midst of this dream but only to the consciousness that I am dreaming and that I have to go on dreaming in order not to be destroyed: as the sleepwalker has to go on dreaming in order not to fall.”
Mum puts her recent strangeness down to this realisation and says that “Sometimes I just want to scream at everyone and everything.” The other day she said she felt like putting on her coat and going: where is unimportant; it’s the act of going that matters. “It’s easier to philosophize at 19 than at 49” she says. It’s hard to accept that our lives have been built on sand and perhaps harder still to realise that this will go on and on and that I—helpless, unable to do any different—will also despairingly participate in this, knowing full well that the time will come when I too will be in Mum’s position.
Is my interpretation right, I wonder, or am I on the wrong track completely? Reading the book will get me deeper and tell me if I’m right and more of what Fowles really is getting at. Are we really “men moving in a mist”? I'm nineteen and I’ve ‘solved’ everything?
“The world stands complete and has achieved its end in every single moment.”
Sunday, June 12, 1983
X-ray frogs
My carefully laid plans to write an essay dissolved when Barry, Patrick and Mike came into my room. “Shall we do the acid?” Barry asked me, and for an instant I was seized with an agony of indecision, a straight choice between my responsible, essay writing self and the pleasure seeking, idle self.
But the tiny snips of card were there lined up on the chair arm, a half each for Barry and the others, a whole tab for me, which I’ve been religiously saving for a day like this. I threw myself over the edge and swallowed the tab along with everyone else.
I lay on my bed reading Invisible Man and waited for the effects to take hold. Barry and co. disappeared outside to play football and as I waited, I tried to objectively assess what was happening to me. It was an odd sensation, almost like I was losing awareness of specific details of the walls of the room and the bed on which I lay. Instead, I felt an odd, blurry vibrancy and awareness of the things around me.
The threesome returned, sweaty and out of breath but in a sort of hysterical frame of mind: within minutes the room had dissolved into shuddering laughter, our faces smeared with tears as we rolled helplessly about. We just couldn’t help ourselves. Total pandemonium as we flopped about in my room, crumbling into bouts of laughter as we found an election leaflet featuring the toad-like visage of Reg Castle, Labour candidate for Watermouth and New Lycroft.
Everything and anything was enough to bring on fresh fits of helpless laughter, much to the bemusement of Shawn, Shelley, Pete and Mo who, on separate occasions, came and stood watching or sat with us. I was intensely aware of Pete’s awkwardness and forced-smile embarrassment. I sat dumbly shaking at the ridiculous hilarity the world had suddenly assumed. My room seemed to be dissolving into a giant heap of blankets, books and litter. Occasionally a lull would descend, and we wiped our eyes and let out a sigh, before some other trivial but intensely funny thing would strike us and we’d erupt once more. Breathlessly we whirled into Barry’s room; I wanted to shut out the rest of the corridor, the rest of the world, so that nothing would intrude. We decided to go outside and play football.
Outside the mania still held us in its grip but not so firmly. Almost reluctantly we walked off the path and out onto the grass. It felt as though the whole world’s eyes were focusing in on we four. The space, the wideness, my smallness in the midst of this great green expanse made me feel awkward and supremely self-conscious. We stood half-heartedly amidst the grass, painfully conscious of everyone and everything around us, flapping our arms and feeling small, or hopping awkwardly from one foot to the other.
We mechanically kicked the ball without any enthusiasm. I went through the motions for a little while but soon retreated up into the trees on the slope overlooking Wollstonecraft Hall, where I hung about amidst the leaves, a big awkward figure dressed all in black, towering amid the low branches. The others joined me and we sprawled in the grass beneath the leaves and summery skies, huddling close to one another.
This was a really noticeable effect. Patrick said that every time he does acid he begins to feel alienated, and I could see why, for our little band felt isolated from everyone else as we sat there in the greenery, gazing down on campus. Them and Us. At one point we were hunched so close we were almost touching one another.
“Good X-ray frog weather” said Patrick, and sure enough, as I lay on my back and looked up, the clouds rolled over us, dissolving and reforming in crisscrossed lattices of white, as though a delicate grid had been superimposed over my field of vision. We watched each cloud blow over, the leading edge of the cloud extended forward in fingers, the main body billowing after, remarking on particularly good 3D specimens, some subtly shaded and tinged with colour as they folded and rolled into ever new shapes. I also noticed more colour on the trees, and when Patrick pointed it out to us we could all see the way the leaves seemed to heap over in green shimmering mounds of light and shade, away from the wind.
Patrick talked and talked, a long, bitter, disgusted monologue—I looked and saw and agreed—about how this campus of picturesque valley views still leaves we students bored. “Bring some kid down from the Brixton ghetto and he’d think it was paradise, but all you lot can do is lounge about complaining. It’s all so passé. It stinks.”
Several times he had me squirming awkwardly on his hook and I remembered the paranoia from the acid trip Pete and I took a few weeks ago. Several times I ground to a swollen-tongued halt as I attempted casual conversation. “Why do you always wear black?” Patrick asked me. “It only shows up your dandruff.”
He also reduced Barry to a defensive silence, broken only by grunts and murmurs of assent, as he told us why he couldn’t go on with the RCP and talked about books and painting and the difficulty and delicacy of the latter. The Magus by John Fowles was “like a bath of cold water” and accounted for much of his present bitterness and disillusionment: “You have no hope after reading that book; it strips away everything.”
Mike shivered and said it was the worst acid he’d ever done; “I don’t know why; it’s this place,” he said, looking around at the trees and the rows of windows. Occasionally he too would grind to an excruciating halt in dry-lipped embarrassment as he was misunderstood or misheard.
The evening breeze was mounting and the cold began to cut us—I noticed the goose pimples on Patrick’s arm. We all wore thin shirts and so we went back inside. It was eight p.m.; the day had rushed by. We began to call the trip “it,” referring to it as an entity as though something great had just passed. Mike still seemed uneasy.
We met up with Guy, who’d just returned from London and set off for the Town and Gown to spend an evening drinking. I left them all at a party over in Rousseau and came back before everyone else. Patrick had vanished with Yvonne Ellis: Barry and Mike were engrossed in conversation. I left in a gloom and went to bed, my mind full of Patrick, the way the discoloured smudges of dirt on my wall blurred into large purple indefinable letters, the way our arms left behind a visual trail and afterimage when waved, the clouds, the colours, but also the intense paranoia and self-consciousness.
It was a day to be experienced rather than enjoyed.
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